1

Correspondence:

5/14/07

Question: Father Mitch Pacwa has been part of a campaign against Maria Valtorta. Are you aware of his 2001 article posted on CatholicCulture.org entitled: "Is the Poem of the Man-God Simply a Bad Novel?"? Furthermore, in 1995 he was a guest on Mother Angelica Live (EWTN), where he was critical of Maria Valtorta and her works.

http://www.catholicculture.org/docs/doc_view.cfm?RecNum=3365

Name withheld upon request.

 

Response from Webmaster: In 1948, after reading the Poem, Pope Pius XII said: "Who reads it, will understand". While reading Father Mitch’s article, it becomes clear that he never read any part of what he critiqued. Therefore, as the Holy Pontiff prophesied, he was unable to understand. This presents a complex predicament, because Father Mitch is a well known, loved, respected TV personality and Theological Teacher.

Witnesses reported that just prior to the Fatima miracle, a Priest attempted to disperse the crowd, declaring it was a hoax. When that failed, he attempted to physically pick up the children and remove them. Again, the crowd prevented him. Perhaps Father Mitch has become overzealous at protecting the flock from something he incorrectly perceived as deception.

The miracle of Fatima was one of the greatest miracles of all time, for several reasons. It was witnessed by over 100,000 people, even as far as 32 miles away. All who witnessed it were astonished by the spectacular demonstration of the miracle. Not only did they see the fire of the sun detach itself and fall upon the earth, but they felt the intense heat. The flooded grounds and their soaked clothes from the torrential rain, just prior to the miracle, dried up immediately before their eyes. Some were up to their ankles in mud, then standing upon dry soil. Moreover, it was the only miracle in the history of the world that God performed at a predicted time and place. As the Holy Mother of God explained: "So that all may believe". And who believed? The atheist communist tabloids acknowledged it as a miracle by God the very next morning. It took thirteen long years before the Holy Roman Catholic Church acknowledged the Fatima Miracle to be of Divine origin.. Previous to that, witnesses reported that Priests that believed and defended the children were transferred far away from the local Parishes.  Some witnesses expressed resentment for the years of pulpit reprimands, only to be followed over a dozen years later by a short statement by the Church, that the Apparitions and Miracle were "worthy of belief."  (Fatima: "Meet the Witnesses", by John M. Haffert). How badly we behave in response to great miracles, even back to the times when Moses parted the sea. And yet, we incredulous people wonder why there are so few miracles today.  "And He did not many mighty works there because of their unbelief"’ (Matt 13:58).

Persecution of Holy people, such as Maria Valtorta, dates back to the slaying of Abel, to the condemnation of Christ by the Chief Priests and Pharisees, to the Stoning of Saint Steven, to our present day. Consider how Saul, who was a good Jew, held the coats of those stoning Saint Steven. It is an enigma as to why some good people feel compelled to disparage some of the most wonderful gifts of God, along with those who make these gifts available to us. I’m sure those who condemned Padre Pio and Blessed Sister Faustina felt just as confident they were doing the right thing at the time. The word of God prevails, and at some point in the future, the finger of God in Maria’s writings will be fully recognized.

 

Is the Poem of the Man-God Simply a Bad Novel?

The Poem of the Man-God is a five-volume "narrative" of the life of Jesus written in the 1940s by a sickly Italian woman named Maria Valtorta.

Comment: Maria Valtorta was a bed-ridden Victim Soul.

"Poem" purports to fill in the details of Jesus' life left blank by the four Gospels. Such narratives have been produced since the second century A.D. Some were written by gnostic heretics. Some by New Agers and occultists. And some were produced by pious Christians who made up stories about Jesus to edify their readers and listeners.

Comment: This statement prohibits any circumstance or instance where God would be capable of revealing Himself. Moreover, the statement can be proven erroneous, there are other very similar Visionaries who are now Saints. Blessed Anne Catherine Emmerich was an instrument of our Lord, who recorded divinely inspired truth about Jesus' and Mary’s lives. Mystical theology, like fundamental theology, affirms only this: God can reveal Himself (Karl Rahner, S.J.). "And it shall come to pass afterward That I will pour out My Spirit on all flesh; Your sons and your daughters shall prophesy, Your old men shall dream dreams, Your young men shall see visions, (Joel 2:28-32 NKJV).

http://www.bardstown.com/~brchrys/Rahner.html

The four Gospels do not give a biography of Jesus, or of anyone else in His life. Their purpose is evangelical and theological, to proclaim the Good News that human beings need for their salvation. Thus, for centuries, the "hidden life" of Jesus has been the subject for speculation. The Poem of the Man-God is in this tradition of apocryphal literature on New Testament themes. Valtorta claimed that she was the "secretary" of Jesus and Mary, and was setting down the divinely inspired truth about Jesus' life.

Comment: It is becoming increasingly apparent that Father Mitch’s primary contention is that this form of divine inspiration is not possible. The very fact that Blessed Anne Catherine Emmerich was Beatified by Pope John Paul II on October 3, 2004 is evidence that the Church does consider this form of divinely inspired truth possible.

The Church has rejected this claim.

Comment: Maria Valtorta’s writings were presented to Pope Pius XII in 1947, who examined them for one year. His Holiness agreed to a special meeting in 1948, in which He ordered the publishing before three Priests: Fr. Corrado Berti (Professor of Dogmatic and Sacramental Theology at the Pontifical "Marianum" Theological Faculty of Rome from 1939 onward, later becoming Secretary of the Faculty from 1950 to 1959, as well as consultant to the Fathers of the Second Vatican Council), Fr. Romualdo M. Migliorini (Prefect Apostle in Africa), and Fr. Andrew M. Cecchin (Prior of the International College of the Servites of Mary in Rome). All aforementioned, documented this event with signed testimony. The fact that the Pope did grant this audience was historically documented the very next day, February 27, 1948 in L’Osservatore Romano.

Since Maria Valtorta's writings encountered several obstacles when the Head of the Holy Office took offense at being circumnavigated in the Church approval process, Cardinal Edouard Gagnon, writing to the Maria Valtorta Research Center from the Vatican on October 31, 1987, referred to Pope Pius XII's action as: "The kind of official Imprimatur granted before witnesses by the Holy Father in 1948. An "Official Imprimatur" of the Supreme Authority of the Church".

http://www.exdeo.com/brC/berti/index.php

http://www.heartofjesus.ca/MariaValtorta/M%20A%20R%20I%20A.htm

http://www.bardstown.com/~brchrys/Valepic.htm

http://www.saveourchurch.org/testpoem.html

 

Nevertheless, Poem has become quite popular, particularly among Catholics as well. Remarkably, the book has grown in popularity in part because its champions claim that high Church officials--including one Pope--endorsed it. They haven't.

Comment: A Papal Order to publish that was witnessed by three highly reputable Priests is not an endorsement? Furthermore, renowned Mariologist Father Gabriel Roschini, OSM was an outstanding advocate of Maria Valtorta's writings. Pope John Paul II often referred to Father Gabriel M. Roschini as one of the greatest Marioligists who ever lived. He was a decorated professor at the "Marianum" Pontifical Faculty of Theology in Rome, and an advisor to the Holy Office. He wrote over 130 Books on the Blessed Mother, all of which are in the Vatican Library. In his last book (which Father Gabriel said was his greatest, "The Virgin Mary In The Writings of Maria Valtorta"), the first two pages contain a letter of endorsement by Pope Paul VI. Page one displays a photocopy of the original letter in Italian complete with Vatican insignia, and page two contains the English translation. This constitutes a secondary indirect endorsement, in that the Holy Pontiff endorsed a book, that endorses Maria Valtorta’s writings.

http://www.exdeo.com/brC/berti/index.php

http://www.valtorta.org/other_books_defaultpage.asp

In fact, Poem was included on the Index of Forbidden books until the abolition of the Index in the 1960s.

Comment: So were the writings of Saint Faustina Kowalska, along with a litany of writings by other Saints. Maria Valtorta’s writings were placed on the Index by the Head of the Holy Office Cardinal Alfredo Ottaviani, who was purportedly incensed that Holy Office was circumnavigated in the approval process. Consider that this is the same Cardinal who authored the secret 1962 Vatican document that mandated the excommunication of children victimized by pedophile priests in the event they sought help from the authorities, as uncovered by CBS News in 2003:

http://en.wikipedia.org/wiki/Faustyna_Kowalska

http://www.cbsnews.com/stories/2003/08/06/eveningnews/main566978.shtml

http://www.advancedchristianity.com/Pages/CBS/CBS.htm

http://www.bishop-accountability.org/downloads/CrimenSollicitationes-Unprotected.pdf

http://www.medjugorjecenter.org/churchcrisis/missinglink.html

Cardinal Ottaviani was also a well known enthusiastic Challenger of Papal Authority, that is why he had no problem subverting the Papal Order to Publish. This same Cardinal also had several noted rage and temper incidents. While giving a harangue at the pulpit, the technician switched off his microphone, causing the whole congregation to give a standing ovation. In another similar tirade, the Priests listening to him turned their chairs around facing away from him.  In addition, Saint Faustina’s writings were placed on the Forbidden Book List by the Holy Office under Cardinal Ottaviani, which now are read at Divine Mercy Sunday Mass.

In 1966, Pope Paul VI took the action of suppressing the Index of Forbidden Books, which liberated the Poem from ecclesiastical restriction. Yes, the same Pope who endorsed "The Virgin Mary In The Writings of Maria Valtorta". Moreover, when Pope Paul VI was Archbishop of Milan, after evaluating Maria Valtorta's writings, ordered her entire works to be sent to the Milan Seminary library. Pope Paul VI accomplished three significant actions to remove barriers and promulgate the Poem.

No less an authority than Cardinal Joseph Ratzinger, prefect of the Congregation for the Doctrine of the Faith, reiterates the Church's rejection of the claims made for The Poem of the Man-God.

Comment: The key word is "reiterates". Cardinal Joseph Ratzinger, now Pope Benedict, was Cardinal Alfredo Ottaviani’s immediate successor in heading the Holy Office. He was personally groomed by Cardinal Ottaviani to become the new prefect of the Congregation. Cardinal Ratzinger did not personally scrutinize Maria Valtorta's writings, he reiterated (simply upheld), his mentor’s verdict, avoiding the undermining his predecessor.

It is important to remember that in 1978, a Polish cardinal petitioned the Vatican to cease the suppression of Sister Maria Faustina Kowalska’s Divine Mercy devotion and to remove her writings from the Index of Forbidden books. The Vatican replied in the negative, upholding the condemnation and suppression.  Which we now know was in error.

http://www.freerepublic.com/focus/f-religion/1619458/posts?page=7

 

How did The Poem of the Man-God come to be, and how has the notion become widely accepted that it contains important religious truth?

Comment: Maybe that has something to do with the long list of highly authoritative endorsements. Two Popes (Pope Pius XII and Pope Paul IV), Blessed Gabriel Allegra, OFM (the only Scripture scholar beatified by Pope John Paul II), Padre Pio, Mother Theresa of Calcutta, etc. The list could go on for pages:

http://www.valtorta.org/the_poem__reviews_and_critiques.asp

http://members.aol.com/fmrega4/Valtorta.htm

http://mariavaltortawebring.com/Pages/002_Testimonials.htm

http://mariavaltortawebring.com/Pages/003_Scientific.htm

Furthermore, Blessed Gabriel Allegra was Beatified by Pope John Paul II. His Eminence was well aware that Father Gabriel Allegra was most noted for being an outspoken supporter of Maria Valtorta’s writings. Quite possibly another indirect Papal endorsement of Pope John Paul II.

Please take the time to read the links below to Blessed Gabriel Allegra's Critique of Maria Valtorta's works. These authoritative endorsements by a Beatified Scripture Scholar cannot be easily disregarded.

Blessed Gabriel Allegra, OFM.A - Valtorta Advocate in Heaven

Introduction

I - A Critique of Maria Valtorta's Poem of the Man-God

II - Notes for a Valtortian Critique

III - Valtortian Notes of Father Allegra

IV - Letters of Fr. Allegra on the Poem of the Man-God

 

Maria Valtorta, author of Poem, was born in 1897 into a sadly dysfunctional family, where she suffered emotional abuse at the hands of a despotic mother. When she was 23, she was attacked and beaten by a mugger. She was never completely well after that. From 1933 on, she was unable to leave her bed.

Comment: Very few Saints did not suffer persecutions, in fact it seems to be a prerequisite.

 

Maria began to receive "dictations" on Good Friday, 1943. In 1947, she handed over 10,000 handwritten pages to her spiritual director, Father Romuald Migliorini, O.S.M. Father Migliorini typed them and Father Corrado Berti, O.S.M. bound them. Fr. Berti, brought them to Cardinal Augustin Bea, S.J., spiritual director to Pope Pius XII. Did Pope Pius read the whole manuscript or parts? If only part, which part?

Comment: Pope Pius XII studied her writings for one year (1947-1948), before making his Papal Order to Publish.

 

Advertisements by the Canadian Central distributors for Valtorta (CEDIVAL) quote Father Bea: "I have read in typed manuscripts many of the books written by Maria Valtorta. As far as exegesis is concerned, I did not find any errors in the parts which I examined." Notice, he read only parts of the books. Which were they?

Comment: Cardinal Bea, S.J., Jesuit, rector of the Pontifical Biblical Institute and advisor to the Holy Office testified: "I have read in typed manuscripts many of the books written by Maria Valtorta". Hence, clearly most, or nearly all. Father Mitch is using a little sophistry to downplay an exceptionally compelling testimony. The inclusive quote is as follows: "I read several fascicles of the Work written by the lady, Maria Valtorta, attending particularly in my reading to the exegetical, historical, archeological and topographical parts. As far as its exegesis, I did not find any prominent errors in the fascicles examined by me. Further, I had been much impressed by the fact that her archeological and topographical descriptions were propounded with notable exactness. Concerning some particulars less exactly expressed, the author, questioned by me through an intermediary, had modestly given some satisfactory explanations. Here and there some scenes appeared to me too diffusely described, even with many vivid colors. But generally speaking, the reading of the Work is not only interesting and pleasing, but truly edifying. And for people less well informed on the mysteries of the life of Jesus, instructive."

 

On Feb. 26, 1948, Fathers Migliorini, Berti and A. Cecchin enjoyed a private audience with Pope Pius XII, as listed in L'Osservatore Romano's daily announcement of audiences. Standing in St. Peter's Square after the audience, Father Berti wrote down Pope Pius' words as he remembered them. These words were "not" printed in L'Osservatore Romano, but Father Berti remembered the Pope saying: "Publish this work as it is. There is no need to give an opinion about its origin, whether it be extraordinary or not. Who reads it, will understand. One hears of many visions and revelations. I will not say they are all authentic; but there are some of which it could be said that they are."

Comment: The three Priests wrote down the exact wording of Papal Order, together, immediately after the meeting. Each later providing signed testimony for accuracy.

http://www.exdeo.com/brC/berti/index.php

 

CEDIVAL calls this a "Supreme Pontifical Imprimatur," where "he took upon himself to pass the first official judgment on these writings." CEDIVAL glues this inside the cover, though the publisher does not print an imprimatur. The reason: it has none!

Comment: From the Vatican: Cardinal Edouard Gagnon, writing to the Maria Valtorta Research Center from the Vatican on October 31, 1987, referred to Pope Pius XII's action as: "The kind of official Imprimatur granted before witnesses by the Holy Father in 1948. An "Official Imprimatur" of the Supreme Authority of the Church".

http://www.heartofjesus.ca/MariaValtorta/M%20A%20R%20I%20A.htm

http://www.bardstown.com/~brchrys/Valepic.htm

http://www.saveourchurch.org/testpoem.html

The Code of Canon Law: Book II, Part II, Section I, Chapter I, Article I, gives the Pope full and supreme power over all levels of the Church and free use to exercise this power. Canon law clearly requires that this Papal order be embraced with unconditional acceptance and submission. This is why Father Berti was so persistent in assisting in the publishing of Maria's works, despite the later persecutions he suffered at the hands of his superiors. The Church was in violation of Canon Law for putting it on the index in the first place.

The statement by Father Pacwa: "The reason: it has none!", is entirely untrue. Several other Bishops have given their Imprimaturs, such as Archbishop Soosa Pakiam of Trivandrum (for the Malayalam translation prepared in India. Note: If the Vatican thought that the Archbishop of India made an error in judgment, it would have him remove his Imprimatur. Nonetheless, the Vatican has let his Imprimatur stand). Furthermore an Imprimatur was given by Bishop Roman Danylak (Titular Bishop of Nyssa Rome, Italy). Evidence that Father Mitch may not have performed adequate fundamental research before making such proclamations.

http://www.bardstown.com/~brchrys/Imprmatur.htm

 

Confident of papal approval, Father Berti brought the books to the Vatican press. However, in 1949, two commissioners of the Holy Office, Msgr. Giovanni Pepe and Father Berruti, O.P., condemned the Poem, ordering Berti to hand over every copy and sign an agreement not to publish it.

Comment: According to the Priest’s testimony in 1949, Cardinal Alfredo Ottaviani who then headed the Holy Office, summoned Father Corrado Berti and Father Andrew Cecchin to the Holy Office. Furthermore, during this meeting both Priests were forbidden to speak or communicate in any way immediately before the meeting. Monsignor Pepe and Father Berruti, officials of the Holy Office, were entrusted with reading the new judgment to both Priests (authored by Cardinal Alfredo Ottaviani), which reversed and undermined the Papal Imprimatur. Monsignor Pepe and Father Berruti had no role in condemnation itself. The order of silence cleverly restricted Father Berti from informing Monsignor Pepe and Father Berruti of the Papal Imprimatur given by Pope Pius XII.

http://www.exdeo.com/brC/berti/index.php

 

Father Berti returned the manuscripts to Valtorta and handed over only his typed versions. Despite his signed promise, in 1952 Father Berti went to publisher Emiliano Pisani. Though aware of the Holy Office's opposition, Pisani printed the first volume in 1956, and a new volume each year through 1959.

Comment: Although Father Berti brought all the typescripts in his possession; he could not deliver all the copies, because some were in the possession of other people who declined to be deprived of them. The Holy Office, headed by Cardinal Alfredo Ottaviani, forbade the publication of these writings and threatened to place them on the Index of forbidden books in the event of a publication.

http://www.exdeo.com/brC/berti/index.php

The reversal of the Papal Order by the Holy Office was in direct violation to Canon Law. Again, the Code of Canon Law: Book II, Part II, Section I, Chapter I, Article I, gives the Pope full and supreme power over all levels of the Church and free use to exercise this power. Canon law clearly requires that this Papal order be embraced with unconditional acceptance and submission. This is why Father Berti was so persistent in assisting in the publishing of Maria's works, despite the later persecutions he suffered at the hands of his superiors. The Church was in violation of Canon Law for putting it on the index in the first place.

 

When volume four appeared, the Holy Office examined the Poem and condemned it, recommending that it be placed on the Index of Forbidden Books Dec. 16, 1959. Pope John XXIII signed the decree and ordered it published. L'Osservatore Romano, on Jan. 6, 1960, printed the condemnation with an accompanying front-page article, "A Badly Fictionalized Life of Jesus," to explain it.

Comment: Canon 1385 (Index of Forbidden Books) requires a Papal signature to validate the decree, but does not require the Pontiff to personally read the writings.  The Article published in L'Osservatore Romano was by an anonymous author.  No one knows who invented the wording: "A Badly Fictionalized Life of Jesus".

 

The key question: Why did Cardinal Alfredo Ottaviani wait till volume four (almost three years later), to act? The Gospel as it was Revealed to Me (The English version; The Poem of the Man-God, came much later), was published in 1956 with Pope Pius XII Imprimatur and statement affixed to the inside cover. This must have made Cardinal Ottaviani livid, but he had no choice but to wait, his hands were tied. Placing the Poem on the Index of Forbidden books would require a Papal signature, which would be impossible to obtain. Pope Pius XII would certainly not sign a decree against His own Imprimatur, and the three Priests were well aware of this. As long as Pope Pius XII was alive, the Poem could be published with the Papal Imprimatur, unchallenged. When Pope Pius XII past away on October 9, 1958, the Lion was finally out of the way. As soon as the next Pontiff, Pope John XXIII, took office, Cardinal Alfredo Ottaviani's first and foremost action was to have Maria Valtorta’s and Sister Maria Faustina Kowalska’s writings formally condemned on the Index of Forbidden Books, (Pope Pius XII would not sign the condemnation of Sister Faustina’s writings). The condemnation decrees could now be placed before the new Pontiff, who signed the decrees at the request of Cardinal Ottaviani. Obviously just taking Office, Pope John XXIII did not have the personal time and luxury of reading Maria Valtorta’s 15,000 pages of Private Revelation and Saint Faustina’s Life works.

There is a major difference between the actions of these two Popes. Pope Pius XII personally examined the writings for 10 months, Pope John XXIII’s signing was a common authorization formality to Cardinal Ottaviani’s final judgment.

 

 

The article complained that the Poem broke Canon Law. "Though they treat exclusively of religious issues, these volumes do not have an "imprimatur," which is required by Canon 1385, sect. 1, n. 2."

Comment: It carries a Papal Imprimatur at the highest level, as witnessed by the testimony of three Priests. Again, Several other Bishops have given their Imprimaturs, such as Archbishop Soosa Pakiam of Trivandrum (for the Malayalam translation prepared in India. Note: If the Vatican thought that the Archbishop of India made an error in judgment, it would have him remove his Imprimatur. Nonetheless, the Vatican has let his the Imprimatur stand), and Bishop Roman Danylak (Titular Bishop of Nyssa Rome, Italy), etc.

http://www.bardstown.com/~brchrys/Imprmatur.htm

 

Second, the long speeches of Jesus and Mary starkly contrast with the evangelists, who portray Jesus as "humble, reserved;

Comment: This is in conflict to scripture, "And Jesus went into the temple of God, and cast out all them that sold and bought in the temple, and overthrew the tables of the moneychangers, and the seats of them that sold doves". (Matthew 21:12).

 

His discourses are lean, incisive." Valtorta's fictionalized history makes Jesus sound "like a chatterbox, always ready to proclaim Himself the Messiah and the Son of God," or teach theology in modern terms. The Blessed Mother speaks like a "propagandist" for modern Marian theology.

Comment: If the discussions were so shallow, how could noted Authors and Biblical Scholars have written articles and books on the dialogues? (Blessed Gabriel Allegra, Monsignor Vincenzo Cerri, Brendan Whiting, John Haffert, Mariologist Father Gabriel Roschini, etc).

A Critique of Maria Valtorta's "Poem of the Man-God", by Blessed Gabriel M. Allegra, OFM.

The Holy Shroud and the visions of Maria Valtorta, by Monsignor Vincenzo Cerri

 

The Shroud Story by Brendan Whiting (The book was highly praised by the British Shroud of Turin Society and makes many confirmations and references to Maria Valtorta's writings).  Brendan presents evidence that the Shroud fabric edges were repaired in medieval times via a meticulous re-weaving process which rendered an incorrect carbon 14 dating.  The dated samples were taken from the outside edge.  Whiting holds that reports detected that fibers from an area of cloth directly adjoining the tested sample had a gum coating not found on fibers from the main part of the shroud. "He identified the coating as most probably gum arabic, noting that it was common practice for gum arabic to be used during weaving repairs, to hold the threads," Whiting said. He said Rogers found cotton fibers in the tested sample area of the cloth but no cotton fibers in a sample taken from the main part of the shroud during extensive examination back in 1973. Whiting said this fact had not been discovered by the coordinators of the tests because, although the original protocol had called for the chemical analysis of the samples prior to their destruction during testing, the three testing laboratories did not perform the analysis.

That Wonderful Poem, by John M. Haffert (Link to more on John Haffert)

The Virgin Mary in the writings of Maria Valtorta, by Fr. Gabriel M. Roschini, OSM

 

Third, "some passages are rather risqué," like the "immodest" dance before Pilate (vol. 5, p. 73).

Comment: The Bible has a references to an immodest dance before Herod, why would this be impossible before Pilate?

 

There are "many historical, geographical and other blunders.

Comment: This contention is unsupportable. What geographical blunders? Geologist and Mineralogist Dr. Vittorio Tredici points out how Maria Valtorta described and correctly named several towns and villages that were not even discovered until after her death. David J. Webster posted a landmark 31 page article that fundamentally proves the authenticity of Maria Valtorta's writings. The "Poem of the Man-God" may be the very first Private Revelation ever to be scientifically proven genuine. David meticulously and methodically examines Maria Valtorta’s strikingly accurate descriptions of first Century Palestine for every piece of topographical evidence. He then compares this evidence with currently known facts that are only now being proven authentic. "Over thirty percent or 79 (all entries marked with * and **) of the 255 geographical sites in Palestine mentioned in the Poem were not listed in the 1939 International Standard Bible Encyclopedia (ISBE) Atlas. 62 (all**) of these 79 were not even listed in the 184 page Macmillan Bible Atlas (MBA) published in 1968. [Maria Valtorta died in 1961] Where did Maria Valtorta get all these names? For a first century eye-witness to include so many obscure and unknown names would, of course, be expected. And most surprising is that these names, obscure and unknown in the 1940’s, are only now being proven authentic. 52 of these 62 have no biblical reference whatever, and 17 of these with no biblical reference have been either indirectly confirmed as authentic by recent "ancient external sources" found in the Macmillan Bible Atlas (1968) or actually listed in the HarperCollins Atlas of the Bible (1989). This makes a total of 29 confirmations since the 1939 ISBE atlas listing. Also among those 62 sites are mentioned the ruins of 6 ancient Palestinian cities some corresponding to the modern consensus on location. In addition, Valtorta’s precise descriptions of the natural topography of Palestine from numerous locations and the information about the outside pagan world of that day, including people, places, customs, Greek and Roman mythology, related in the conversations of that day, are strikingly correct."

http://www.saveourchurch.org/descriptionspoem.pdf

And Yet, Father Pacwa overlooks the most definitive, and perhaps the most incontestable proof. The 10,000 pages of Divine Revelation were given by our Lord in completely random succession. Maria records the visions in simple bound school note books, with no corrections, in the random order as they were given. On the surface, the complete work appeared as a well shuffled deck of cards. Towards the end, Jesus provides the proper sequence, the key, which could not be realized until the mammoth task of typing the manuscript was completed, allowing the individual pages to be sequenced in the specified succession. When finally placed in the correct progression, the puzzle materializes into a seamless perfect flowing chronology. Maria Valtorta keeps perfect track of Jesus, Mary and over 500 additional personalities. None of which are in the wrong place at the wrong time. Jesus is appropriately in Jerusalem and Judea for Passover and Pentecost in all four spring seasons, and at the Tabernacles in all three fall seasons of His ministry. Jesus traverses the land of Palestine from one end to another in at least six cycles (some 4,000 miles), ministering in some 350 named locations, including places in Palestine known only to specialized archaeologists.  A fundamental proof of divine influence.

http://www.bardstown.com/~brchrys/PoemCompos.htm

Many objections disputed that Maria Valtorta is the only visionary who described Jesus as having golden blonde hair and bright blue eyes.  Furthermore, the Church universally accepted, that Jesus being a Jew, had dark skin, dark eyes, and dark hair.  Remarkably, in 1964, a tablet from Pontius Pilate to Tiberius Caesar was recovered in a archeological find (a copy of this letter is in the Congressional Library in Washington, D.C.) which describes Jesus' physical appearance.  It describes Jesus as having golden colored hair.  Another unearthed description by Publius Lentrelus describes Jesus' eyes as bright blue. Link  Maria Valtorta is the only Visionary to get this right!

 

While reviewing the evidence of the Shroud in 1999, Dr. Gilbert Lavoie presented another intriguing discovery, that the body had light blond hair.

 

http://www.holyspiritinteractive.net/columns/williamsaunders/straightanswers/shroudofturin.asp

 

"For instance, Jesus uses screwdrivers (Vol. 1, pp. 195, 223), centuries before screws existed.

Comment: The Encyclopedia Britannica credits Archytas of Tarentum as the inventor of the screw years before the birth of Christ. Again, this only shows that Father Mitch may have not performed fundamental research. Furthermore, a 2,100 year old mechanical computing device (Antikythera Mechanism), was recovered from a Roman shipwreck that had very complex mechanical parts. Erich Von Daniken wrote a book based on it (Chariots to the Gods), mistakenly believing that it was left by Ancient Astronauts. In 2004, a team including British, Greek and U.S. scientists used specially developed X-ray scanning and imaging technology to analyze the corroded bronze, revealing hidden machinery including fine bronze gears, screws and springs.

 

There are theological errors, as when "Jesus says" (vol. 1, p. 30) that Eve's temptation consisted in arousing her flesh, as the serpent sensuously "caressed" her. While she "began the sin by herself," she "accomplished it with her companion." Sun Myung Moon and Maria Valtorta may claim the first sin was sexual, but Scripture does not.

Comment: In Maria's writings, the serpent didn't caress Eve in a physical sense, it was done with sinful ideas, putting thoughts and temptations in her mind. Catholic Schools have been teaching our children for years that there was no actual Adam and Eve, that Genesis was an allegory or parable describing how Man and Woman fell into sin. Coupled with the underlying lesson or message being; that human sin is followed by punishment, but the last word in the story is one of grace from God. Maria Valtorta’s writings hold that there was a real Adam and a real Eve, this makes her writings to be more Biblical than what the Church even teaches.  One of the foremost theologians of Pope John Paul II’s Theology of the Body, Christopher West, has advanced precisely this point; that the first sin of Adam and Eve was a sexual sin resulting from lust.

 

Vol. 1, p. 7, oddly claims, "Mary can be called the 'second-born' of the Father . . ." Her explanation limits the meaning, avoiding evidence of an authentic heresy; but it does not take away the basic impression that she wants to construct a new mariology, which simply goes beyond the limits of propriety."

Comment: In his book "The Virgin Mary In The Writings of Maria Valtorta", Renowned Mariologist Father Gabriel Roschini, OSM praises the Poem’s perfect Mariology. The following is one of his quotes: "A Madonna in perfect harmony with the ecclesiastical Magisterium, particularly with the Second Vatican Council, with Scripture and ecclesiastical Tradition. No other Marian writing has ever been able to give so clear, so living, so complete, so luminous and so fascinating an idea of the Madonna: [an idea] at once simple and sublime." (Pope John Paul II often referred to Father Gabriel M. Roschini as one of the greatest Marioligists who ever lived. He was a decorated professor at the "Marianum" Pontifical Faculty of Theology in Rome, and an advisor to the Holy Office. He wrote over 130 Books on the Blessed Mother, all of which are in the Vatican Library). Father Gabriel Roschini's analysis would be more plausible than Father Mitch Pacwa's, who is not a Mariologist.

 

Another strange and imprecise statement" made of Mary (vol. 4, p. 240) is that she will "be second to Peter with regard to ecclesiastical hierarchy." Our Lady surpasses St. Peter's holiness, but she is not in the hierarchy, let alone second to St. Peter.

Comment: Same as above.

 

Further, Valtorta did not claim to write a novel, but called herself a "secretary" of Jesus and Mary, so, "in all parts on reads the words 'Jesus says.' or 'Mary says.' The Church takes this claim to revelation very seriously, since it has the God-given duty to discern what is or is not truly from the Holy Spirit. In Valtorta's case, the Church decided against Divine inspiration.

Comment: I guess the Approval of two Popes doesn’t mean very much. As well as countless other endorsements by well respected authorities.

 

Finally, Poem is condemned for reasons of disobedience. Competent Church authority had prohibited the printing of Valtorta's work.

Comment: Pope Pius XII Ordered the publishing. The Code of Canon Law: Book II, Part II, Section I, Chapter I, Article I, gives the Pope full and supreme power over all levels of the Church and free use to exercise this power. Canon law clearly requires that this Papal order be embraced with unconditional acceptance and submission.

 

Pope John's approval of the condemnation of the Poem of the Man-God should have ended the issue, but it did not.

Comment: Pope John did not personally review Maria Valtorta’s writings. The Holy Office under Cardinal Alfredo Ottaviani did, and placed it before Pope John for procedural signing upon taking office.

 

The publishers printed a second edition of 10 volumes, which the Church condemned in another front-page article in L'Osservatore Romano, Dec. 1, 1961. This second Italian edition was later translated into German, French, Spanish and English. CEDIVAL asserts that a "modernist clan in the Church, surreptitiously attempted to seize the manuscripts and destroy them," claiming "firsthand documentation on this." These "enemies" included Msgr. Pepe and Father Berruti, the Holy Office censors. I asked the head of CEDIVAL, Prof. Leo Brodeur, for evidence that Msgr. Pepe and Father Berruti held any modernist heresies, but he had none. He assumed they were modernists because the "Poem" claims "to help the Church fight against the terrible heresy of modernism." If the Poem's enemies are modernists, Msgr. Pepe and Father Berruti must be modernists, too. Such assertions are unacceptable. Accusations of modernism or any other heresy without proof is slander.

Comment: In 1949, Cardinal Alfredo Ottaviani who then headed the Holy Office, summoned Father Corrado Berti and Father Andrew Cecchin to the Holy Office. Furthermore, during this meeting both Priests were forbidden to speak or communicate in any way. Monsignor Pepe and Father Berruti, officials of the Holy Office were entrusted with informing both Priests of the new judgment that reversed and undermined the Papal Imprimatur (They had nothing to do with the actual condemnation). The order of silence cleverly restricted Father Berti from informing Monsignor Pepe and Father Berruti of the Papal Imprimatur given by Pope Pius XII.

http://www.exdeo.com/brC/berti/index.php

 

Cardinal Joseph Ratzinger, present head of the Sacred Congregation for the Doctrine of the Faith (formerly the same office that condemned the Poem), informed Cardinal Siri in 1985 of the "Poem's condemnation: After the dissolution of the Index, when some people thought the printing and distribution of the work was permitted, they were reminded again in L'Osservatore Romano (June 15, 1966) that "The Index retains its moral force despite its dissolution."

Comment: This statement is untrue. The condemned diary of St. Sister Faustina (Maria-Faustina Kowalska 1905-1938), was also liberated from ecclesiastic restriction with the abrogation of the Index. Now parts are quoted from the Pulpit on Divine Mercy Sunday. Another example would be how Roman Catholic Church hierarchy placed Galileo’s writings on the forbidden book list. They burned his written observations and nearly burned him at the stake in order to force him to retract his ideas regarding the earth being round and orbiting the sun.

Cardinal Joseph Ratzinger, now Pope Benedict, was Cardinal Alfredo Ottaviani’s successor in heading the Holy Office. He did not review the decision, he only reiterated the verdict of the former Head of the Holy Office.

 

More recently (April 17, 1993, Prot. N. 144/58i), he wrote: "The 'visions' and 'dictations' referred to in the work, The Poem of the Man-God, are simply the literary forms used by the author to narrate in her own way the life of Jesus. They cannot be considered supernatural in origin." The best that can be said for The Poem of the Man-God is that it is a bad novel. This was summed up in the L'Osservatore Romano headline, which called the book "A Badly Fictionalized Life of Jesus."

Comment: This is a standard formality, although Blessed Anne Catherine Emmerich’s writings were approved, the Church still required her books display the same wording posted in the inside cover: "cannot be considered supernatural in origin". "Badly Fictionalized"? Not according to the experts, two Popes (Pope Pius XII and Pope Paul IV), Blessed Gabriel Allegra, OFM (who was the only Scripture scholar beatified by Pope John Paul II), Padre Pio, Mother Theresa of Calcutta, etc. Again, the list could go on for pages.

There may have been more books written about the Poem than any other book, aside from the Bible. One of my favorite is "That Wonderful Poem", by Theologian John Haffert, fluent in seven languages and founder of the Blue Army, with over 25 million members that took the Fatima pledge.

http://valtorta.alphalink.com.au/POEM.HTM

 

At worst, Poem's impact is more serious. Though many people claim that Poem helps their faith or their return to reading Scripture, they are still being disobedient to the Church's decisions regarding the reading of Poem.

Comment: That says it all in a nutshell. Didn’t Jesus teach us that we will know the tree by it’s fruit? "So, every sound tree bears good fruit, but the bad tree bears evil fruit. A sound tree cannot bear evil fruit, nor can a bad tree bear good fruit. Every tree that does not bear good fruit is cut down and thrown into the fire. Thus you will know them by their fruits, (Matthew 7:17-20). So if we take Jesus literally, since the fruit is good (as Father Mitch points out), the tree must be good.

 

How can such disregard for Church authority and wisdom be a help in renewing the Church in these difficult times? When Catholics insist on reading Poem, despite Church condemnation,

Comment: How can lower levels of the Church bureaucracy overturn a Papal order? The Papal Order to publish came first. According to Canon Law, it is not subject to a reversal by lower levels of the Church Hierarchy.

 

I make these requests: First, read three hours of Scripture for every one hour spent in the Poem. The Church guarantees that the Bible is God's Word, inspired by the Holy Spirit. The Church has judged the Poem to be a poorly done human work.

Comment: "Poorly done"? Again, not according to the experts, two Popes (Pope Pius XII and Pope Paul IV), Blessed Gabriel Allegra, OFM (who was the only Scripture scholar beatified by Pope John Paul II), Padre Pio, Mother Theresa of Calcutta, etc. Again, the list could go on for pages.

 

Second, read solid Catholic theology books in addition to Scripture. G.K. Chesterton, Frank Sheed, Archbishop Sheen's Life of Christ and many other works are excellent starts.

Comment: Father Vernard Poslusney declared Maria Valtorta's Private Revelation to be the most authentic he ever read. "Father Vernard Poslusney is considered by many people throughout Austria, Rome and the United States to be one of the greatest Roman Catholic orators that ever lived. He served as a Carmelite retreat director, conducting numerous Conferences, Days of Prayer, Homilies, Lectures, Retreats, Seminars, Sermons, Teachings and Workshops. Some of these were with Archbishop Fulton J. Sheen in the 1970's. His stratospheric religious discernment and wisdom has enlightened many on the spirituality of Saint John of the Cross, Saint Teresa of Avila and Saint Therese of Lisieux, as well as public and private revelation. He was an advisor to the Holy Office, as well as the author of three time-honored books: (Attaining Spiritual Maturity for Contemplation), (Prayer, Aspiration and Contemplation) and (Union with the Lord in Prayer)."

 

Third, maintain a strong prayer life, drawing closer to Christ Jesus, Our Lord, at Mass and at eucharistic adoration, and to our Blessed Mother Mary, especially in the Rosary. If sheep insist on bad pasturage, at least let them take antidotes.

Comment: "Antidotes"? As Father Mitch pointed out, Maria Valtorta's writings reinvigorates our faith and compels us to spend more time reading scripture. That would make the Poem it's own antidote.

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